“This isn't about money. This isn't about politics. I can target anyone, anything, anywhere.”
Since his 2004 film, Collateral, Michael Mann has shot his movies almost entirely digitally, but Blackhat is the first time he has done so in its entirety. Since he made the switch from 35mm I’d say Collateral has been his best film, although I was a fan of Public Enemies as well. Miami Vice and