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FTP: Red Letter Day (2019)

FTP: Red Letter Day (2019)

JANUARY 7, 2020

GENRE: THRILLER
SOURCE: BLU-RAY (OWN COLLECTION)

With four films (and counting) plus a TV series, you'd think we'd know most of the nitty gritty about The Purge by now, i.e. "How often do people retaliate during non Purge hours?" and "Does anyone just use the occasion to rob Gamestop?", but there are still many things about the concept that aren't clear, and probably always will be left that way. It can be a bit frustrating, so one thing that works in Red Letter Day's favor is that it's a stripped down, localized version along similar lines: everyone in a small planned community gets a letter one day that instructs them to kill a certain target or else they will be killed. Of course, they can all stay home and do nothing (the inverse of the "they can't expel the whole class if we all skip school today" idea), but then there's no movie - some people will inevitably embrace this strange version of self-defense killing.

With a more thought out script (and/or better actors) this could have been a solid paranoia thriller in the 10 Cloverfield Lane vein, as for all they know it might be a prank and nothing would happen if they just ignored it, but unfortunately they make a pretty big blunder the movie never really recovers from. In order for the "these are regular normal people forced into something extreme!" concept to land, the writer/director opted to have the characters act as pleasant and good-natured as possible for the first 20-25 minutes, with moms who are best buds with their teenager children, and everyone's constantly teasing each other in a loving away, and neighbors all wave to each other... it's the right idea, but it goes too far in that direction, to the extent that no one actually comes off as a normal person. To me, they feel more like robots mimicking the human behavior they witnessed in daytime TV ads for cleaning products and brew-at-home coffee.

And even later they don't really act natural; the mom of the central trio (dad's out of the picture) occasionally really feels like a mama bear protecting her cubs, but more often than not I found myself wondering if the actress had ever once seen someone worried about their child before. At one point, when both of her kids are in danger (one badly injured, the other missing) a woman (Tiffany "Violet" Helm from F13: New Beginning!) from a church offers to bring the son to the hospital, and rather say "Oh perfect, thanks!" and rush off to find her daughter, she stops to talk about perhaps donating to her church or volunteering at one of their events to make it up to them, as if that would be the first thing on her mind just then? It's one of a few examples where I couldn't buy into the movie's scenario because I was being kept at bay by how unnatural everyone was acting.

On the plus side, there are some terrific practical gore FX (highlight: a very fucked up jaw on a very deserving "victim") and at 76 minutes with lengthy credits (the director credits themselves three times) it doesn't wear out its welcome and is only asking you for a little bit more of your time than an episode of a pay cable TV show. And if you have the blu-ray, you get some excellent Creepshow style artwork on the menu, though it curiously draws the protagonist's son as a jock when in the movie he's like a dorkier Ron Weasley. If you can get past the forced "nice people" performances it's a decent enough timekiller, though these "What would YOU do?" kind of movies really need a more natural setup for the payoffs to land.

What say you?

Secret Agent Süper Dragon (1966)

Secret Agent Süper Dragon (1966)


Storyline :  When an old colleague is killed, Secret Agent Super-Dragon comes out of retirement to investigate a case of poisoned chewing gum that leads inexplicably to an international crime syndicate planning to take over the world with psychotropic drugs smuggled in phony Ming vases.



Stars :  Ray Danton, Marisa Mell, Margaret Lee, Jess Hahn, Carlo D'Angelo, Adriana Ambesi, Carlo Guglielmi, Solvi Stubing, Gérard Herter, Jacques Herlin, Carlo Hinterman




The Black Cat / Horror Island (1941)

The Black Cat / Horror Island (1941)

DECEMBER 16, 2019

GENRE: THRILLER
SOURCE: BLU-RAY (OWN COLLECTION)

Earlier this year, Scream Factory released a volume of old Universal films that happened to star both Boris Karloff and Bela Lugosi, which I had a lot of fun with. I somehow missed the second volume, but the third one is now here and while it doesn't seem to have any theme as far as actors go, it has so far been just as entertaining, with both The Black Cat and Horror Island being among the better of the non-Monster films from the era that I've seen, with Black Cat in particular being a total winner, one I could see myself throwing on again during the Halloween season when I want something light and fun to doze off to after a grueling day.

Amusingly/confusingly, the first volume had a movie called The Black Cat and it also had Bela Lugosi, so I want to be clear that this one is from 1941 and Lugosi is not one of the primary characters. It's actually a bit of an uncredited remake of their Cat and the Canary update from 1939, which added Bob Hope (read: comedy) to the story as it was a remake itself. Broderick Crawford plays the Bob Hope-y role, though he's actually got a Costello kind of demeanor as he makes his way through the usual story (inheritance, killer, secret passageways, etc.). His flirty material with Anne Gwynne are rather sweet and genuine, and she wasn't just a damsel in distress; if anything she was helping him out just as often, if not more so.

Naturally, it's not particularly scary or anything, though at least they don't try to suggest supernatural forces when we all know it'll just be a person; it's actually closer to a traditional slasher (!) than most other Old Dark House stuff I've seen. Likewise, for once the mystery was actually somewhat engaging for me! It wasn't until a few minutes before the big reveal that I finally pegged the killer, which is rare as I'm usually well ahead of them in these older movies and thus find it harder to enjoy. Not like, "Oh man I need to rewatch this to see what I missed" kind of stuff, but certainly better plotted than I was expecting all the same.

Only bummer is Lugosi being a throwaway character; his career was already in decline so bit parts weren't uncommon, but I figured since of his association with the title he wouldn't have accepted such a thankless role. They give him a good entrance though, with those great eyes staring out through the cast-iron fence that surrounds the property where the entire movie takes place. Basil Rathbone is top billed, but it's really Crawford's movie as he's in nearly every scene and gets all the best laughs (there's a hilarious bit where the phone goes out and he keeps duping one of the less-intelligent family members to try to call for help). Apparently he usually played authoritarian figures and the like - what a waste! He's got great comic chops.

The same year's Horror Island was pretty similar, except not as fun. Dick Foran played the hero, and while he's got a certain charm his comedic stuff fell flat for me (and to think he was originally cast as Larry Talbot!). But the story is fine, it's like an Old Dark House movie on an island, as Foran takes a motley group out on a fake treasure hunt only for a Phantom to show up and start offing people in order to claim the real treasure. The body count is slightly higher than normal for these things, but the pacing is weird - the movie is only 60 minutes long (bless!) and it takes almost half that time just to get to the island. The mystery is kind of amusing though, because the killer keeps reminding everyone how many people are left alive by writing the number in chalk on the wall - I wish Jason or Michael would do that, it'd be funny.

The commentary made me more forgiving of the movie's lapses though - per historian Ted Newsom, the movie was shot, edited, and released in a span of about three weeks, which is less than some television shows are given. They apparently overworked the actors (Foran eventually fell ill) and violated union rules, all to get the movie out for whatever reason. They also used leftover sets from other Universal productions (including Tower of London, also included on this set but I haven't gotten to it yet), so the whole thing is like an early prototype for Corman productions like The Terror and Little Shop of Horrors, but without anyone as fun as Jack Nicholson or Dick Miller to make up for the shoddiness. But again it's breezy enough to be a decent time-killer, and even though it has nothing to do with the movie itself I like Newsom's style of commentary, as he largely avoids rattling off the actors' filmographies and instead focuses on the production itself, while also providing context for where Universal was at at the time. He also mocks a few of its narrative choices, but in a loving way - as with me and Cathy's Curse, he's a genuine fan that just happens to be fully aware of its questionable moments.

Scream Factory will always be known for their 70s and 80s fare, but I am excited that they are continuing to put out solid editions of these older, somewhat forgotten films. Instead of ending up on a Mill Creek set or something, they get nice transfers, a commentary track, and - perhaps best of all - the backing of a label that has earned the trust of horror fans, which means it's more likely that people will be checking them out. Universal itself has always done right by their Dracula, Frankenstein, etc. movies, but it's these "B" entries that really give you a sense of what genre fare was like back then - it'd be like someone now only seeing Scream and Blair Witch Project when they wanted to see what 90s horror was like. No, those were the highlights! You gotta watch Hellraiser: Bloodline and Hideaway to get an idea of what we were usually being offered! Here's hoping they can continue to get access to Hammer films so they can do the same for their unheralded minor gems as well.

What say you?

The Psychic (1977)

The Psychic (1977)


Storyline :  A clairvoyant woman, inspired by a vision, smashes open a section of wall in her husband's home and finds a skeleton behind it. Along with her psychiatrist, she seeks to find the truth about who the person was and who put her there. Soon enough, she starts to realize the possibility that she may share the victim's fate...



Stars :  Jennifer O'Neill, Gabriele Ferzetti, Marc Porel, Gianni Garko, Ida Galli, Jenny Tamburi, Fabrizio Jovine, Riccardo Parisio Perrotti, Loredana Savelli, Salvatore Puntillo